Jean-Pierre Roy

@jeanpierreroy | www.jeanpierreroy.com

Born in Santa Monica, California in 1974, Jean-Pierre Roy is a Brooklyn- based painter and teacher.  Growing up in LA, Roy started working in the film industry at 15.  By 27 he had worked as an artist on a number of major Hollywood films and interactive projects.  In 2001 he moved to NYC and received his MFA from the New York Academy of Art in 2002 and was awarded the NYAA’s 3rd Year Fellowship upon graduation.

Roy’s obsessive “world-building”, often framed through a dystopian lens, allows his paintings to examine the human condition against a dramatic backdrop of the chaotic forces of entropy and emergence.  

Drawing heavily from the discourse around evolutionary psychology and perceptual neurology, Roy’s work presents a “speculative” fictional space where contemporary anxieties about the environment, technology, and the limitations of the biological self can be explored in spaces charged with the beauty and terror of an “alien” ecosystem.

Roy has had a dozen solo exhibitions and numerous group exhibitions in the US and abroad.  He has had solo museum exhibitions at the Torrence Art Museum in Los Angeles and the Virginia Museum of Contemporary Art in Virginia Beach. He is currently represented by Gallery Poulsen.

His work has been written about in The New York Times, The New York Post, ArtNews, Art in America, New American Painters, The Chicago Tribune, The Huffington Post, The Seattle Stranger, The Wall Street Journal, Hi- Fructose, and Juxtapoz amongst others. His work in many prominent private and public collections.


“I’ve been called a Visionary Landscape painter, a Climate Change artist, a Ruin-Porn painter, a Post-Apocalyptic Artist, a Dystopian Storyteller, a Sci-Fi illustrator and a ‘Speculative Fiction Author.’ All of those titles are true, but none them get at what drives the emotion of the process for me. 

There is a through-line between all of the work I’ve made. It’s been about trying to picture spaces that visualize the distance between the world that exists out there around us, the mix of what was presented to us and what we built on top of it or scraped away, and the world inside of us… the one programmed deep into our fish brains and our monkey brains… the one we can’t find anymore.

World-Building requires A LOT of analytical, obsessive logic, but ultimately it is an emotional practice for me.  It comes from the desire to externalize an interiority: one of pain, joy, anxiety, loss, righteousness and uncertainty. Love and Anger.  Self-loathing and self-adoration.  The paintings are pictures of those inner places made visible as much as they are a reference to the world outside of me.

They are my way of non-verbally embedding consciousness and narrative into matter in hopes that they can become empathy generators and allow others to find some familiar terrain to expand their interiors into.”

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Hesperia, 2024
Oil on linen
10 x 8 inches

Maybe we're all just guessing, Margaret, 2024
Oil on linen
44.5 x 37 inches

“The Portraits shown in Out of Context depict typical residents of this new strange reality as seen through the lens of Western Historical Portraiture. Draw from Rococo depictions of fashionable femininity, the paintings show the “Sartorial Biological Interface” that adorn these speculative persona to help mediate their bodies soft border with reality. As “smart gel mediators”, the biological macro organisms that cloth the sitters serve as a liminal between a rapidly changing environment and the vulnerable, ancient biological systems of the body. While the forms may seem repulsive from a contemporary perspective, they hint at the kind of radical shift away from norms that an early Homo Sapien might see in us from their vantage point in the past.

Beyond being narrative puzzles about a fictitious future, the pictures are meant to be read as paintings first through the elemental language of color,
surface and composition. If the viewer finds them persuasive through this lens, the narratives bring themselves slowly into focus,
allowing for a variety entry points into the new and confusing behaviors set forth in this alien version of our world.”


-Jean-Pierre Roy