Michael Ryan

@michael_j_ryan | www.michaelryanartist.com

Michael Ryan studied Fine Art and Illustration at Columbia College of Chicago. He currently lives and works in Brooklyn, New York. Ryan makes mixed media on paper works, inspired by early 20th century found photographs of varying subject matters. The source image is used as a starting point for his complex process of additions and alterations that results in an intricate, mysterious and compelling work.

In 2013-14, Michael Ryan was awarded a fellowship and residency at the Marie Walsh Sharpe Foundation in Brooklyn, New York. Ryan is represented by Anna Marra Contemporanea of Rome, Italy. He has had solo shows at Anna Marra Contemporanea, Wanwan Lei Projects in New York, and Cathouse Proper in Brooklyn, NY. Ryan has exhibited in a solo booth at Drawing Now Paris with Anna Marra Contemporanea. He has shown in numerous group exhibitions to include Van Doren Waxter (New York), Phoebus Gallery (Rotterdam, Netherlands), and Project Plus (London, England). 

Browse artwork from the exhibiting artist through our online store HERE.

Dressing Room, 2019
Mixed media on paper
72 x 55 inches

Eminent Personages, 2016
Mixed media on paper
65 x 84 inches

Portrait #7, 2018
Mixed media on paper
30 x 22 inches

Sleeping Pill, 2015
Mixed media on paper
45 x 61 inches

The Birthday Party, 2017
Mixed media on paper
51 x 66 inches

“Michael Ryan creates approximately life-size drawings, primarily in pencil, that are inspired by discarded, flea-market found photographs.  Ryan’s muse is anonymity whose subjects become highlighted, but not known, as he culls through time-distant subject matter.  In response to these disrupted and misplaced moments, the artist renders different tableaux in black and white, suggesting a search for these lost identities, while affirming one’s own.”

- Buzz Spector

Regarding this body of work on view within Out of Context, Ryan shares: “I try and maintain the same approach to everything I do. All the works start in pieces, loose images of an original source image or images. They work kind of like a collage. I try and find details, or make them up. Blowing up old photos and drawing from them creates different challenges for me. You can’t always make out what you’re seeing, and I don’t necessarily want to stay stuck with the restrictions of working from an image. I want these works to become something new. Not just a reproduction. I choose to think the viewer will get caught up in my process, see the choices I make. Showing a connection to the materials I use is important to me. I find the remove I have from my source images helpful. It allows me more freedom to be creative.”