Richard A. Alonzo
Richard A. Alonzo (he/him) was born December 1, 1947 and raised in Los Angeles, California. He is the third of ten children, born to Latino parents. His parents always said that he showed interest in art from a very early age. This was a comment that was repeated by all his teachers from elementary to high school. In middle school and high school, he received Summer scholarships to attend advanced art classes at the university.
He was the first male student admitted to the art education program at Immaculate Heart College in 1966. He was fortunate to study under Sr. Mary Corita Kent, where he began his passion for printmaking. While Corita and the college were known for their serigraphy program, he began to take Summer courses in other printmaking techniques. Upon graduating from IHC with a BA in Art Education, he was hired to teach art in a K-12 school. He was exposed to teaching students from every grade level. During this time, he received a grant to travel through Europe for six months visiting major museums, galleries and historic locations from Greece to Sweden. It was an exhilarating experience that opened his eyes to many possibilities.
He started to teach at Otis/Parsons Institute, as an adjunct professor, as well as at local junior colleges. At the same time, he began exhibiting his work in printmaking. While he enjoyed his complete immersion in the art world, he was forced to look at making a living and supporting my family. He returned to teaching, became a school administrator and eventually retired as a superintendent. His greatest accomplishment was guiding the process of building a world-class high school for the performing arts. It was the realization of a dream to create a specialized school with local partnerships and career opportunities for students from the inner city. Fifteen years ago, he retired and moved to Charlottesville, VA. He wanted to get away from what had became familiar and comfortable. He also wanted to set up my studio and pursue his art and discover new materials and processes. He started to take classes and found his niche at the VMFA Studio School. Over the past years, he has been painting, printmaking and collaging. He finds great satisfaction and reward on printing his own papers for collages, making monotypes and exploring 3D printmaking. While botanicals are his preferred subject, he also enjoy landscapes and abstracts. The benefits are in the process and surprises that happen when you pull a print!
Mixed Bouquet, 2020
Collage - hand-painted monotypes
18 x 18 inches
Orchids, 2021
Collage - hand-painted monotypes
22 x 18 inches
Blue Pitcher, 2024
Collage - hand-painted monotypes
24 x 18 inches
Sunflowers, 2017
Collage - hand-painted monotypes
22.5 x 18.5 inches